Sneak peek of #Hamont exhibit @ The Inc, June 13 – July 6 w/ Cow Skull

still life with cow skull

I have an upcoming exhibit, sharing a space with my Mom, Beverly Healey, at Hamilton Artists Inc. The opening reception is Thursday June 13th from 7-9pm-ish. Art Crawl is June 14th.

It’s called “Mexico ii” and features work done from my parent’s residence in the town of Ajijic, Mexico – just south of Guadalajara. My Mom is a painter and a very different artist than myself so it will be an interesting show of contrasts and similarities. Of course, her being an artist has been central to my development and its a dream come true to have a show together like this. I know she’s looking forward to it as well. 

I’ll post more work and info next week. As usual, these works I am posting here now probably won’t be in the final exhibit but are part of the same series.

 

 

Breakfast with James [warning: art video]

My son and I fooled around with his new Windows phone and the “Symphony” photo app. This capture technology is a trend right now across many mobile platforms of producing a sort of half-photo, half-video looping clips. We ended up making a rather creepy series of carving and eating a mango.

I enjoyed the stresses and pushing, pulling of animating parts of the picture and leaving others static. Unfortunately, like most of Microsoft’s approach to apps, my control of the process is limited and the process plays out like a meek multiple choice that seemed more like a bad focus group result than a robust tool. Also, there was no way to export the result as a stand alone movie which is a troubling trend – these social app platforms are determined to keep the user and their content inside a “walled garden”. They want you to purchase their software to view your friends content.

So I filmed the sequences playing on the Windows Phone screen with my iPhone 4s and put it together with iMovie :) I like the degradated and shaky quality of this process and the audio I accidentally captured transferring the footage in this manner.

Update: my son has the original footage for the project, so it may appear again in a different presentation and in more pristine quality. I’d like to show them all in chronological order and simultaneously, both in a space and on a web page.

FEAST: gourmet food meets art project crowdfunding

As the event announcement states: “FEAST hamilton is a new community micro-funding event and is looking for Artists Project Proposals.  FEAST  (Funding Engaging Actions and Sustainable Tactics) is a series of community dinners and micro-funding events that bring people together with the aim of supporting local projects through funds raised at each FEAST event.

Jen and I went and it was a really fun event – and I learned a lot about how artists present and saw how some strengths and weaknesses influenced the final vote. I’ll talk about those in a sec. I took some photos, posted below, and I apologize for my name being in the bottom right. That was an oversight from a new process.

Grazyna Ziolkowski

Artist and ceramic art studio owner Grazyna Ziolkowski presents her work in support of working with kids and growing beans.

Each one of us received a list with six artists names, who would be presenting projects we could vote on at the end. Aside from costs, the entire funds raised went to the artist and the organizer’s anticipated $500. The actual amount ended up being just over $800.

Marco D'Andrea

Audio artist Marco D’Andrea presents his project at FEAST 01. It was a very cool vintage equipment sound installation in a car and presented at the “Electric Eclectic Festival”. I may go.

It was fun sitting with some new people and even a couple of the artists. This sort of format and social funding in the arts here has not happened before and there was an excited buzz in the air, and an excited rumbling in our stomachs as the food was in the next gallery over. Tickets sold out for this, and I think this sort of format has a very bright future within the arts community. OK, I know it sounds like a cheesy quote from the Hobbit, but I really got a  “jolly fellowship” vibe from the whole thing.

Andrea Carvalho

Hamilton Artists Inc Director and FEAST 01 co-organizer Andrea Carvalho explains how things work. 10 Minutes per presentation. That’s it. No questions.

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What we noticed about some of the proposals is that there never a complete “who, what, where, why, when” picture of the projects. Even if you don’t have confirmed place, you should specify a date and place that is the goal of the work being supported. There was some nice overviews of some studio work or other successful projects, but no “and this is exactly what we are going to do with it with the money you give us”.  In terms of the audience judging this, that seems worthy and genuine but it’s too broad.

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It’s was of no surprise to me that Chris McLeod won – he has a great deal of work done on a crazy-ass steampunkish bicycle power water purification contraption. He stated he wanted finish the machine with some specific materials. He was going to take it to festivals and concerts so people would be able to connect to our use understanding of water. That was a the clearest, most demonstrable and destination / time-frame specific proposal of the night.

Jon Grosz

Jon Grosz

I must admit I was imagining my own proposal and what I would say and show in 10 minutes. They say they’ll have two a year, and I suspect it will be even more popular – especially to present. I hope I still get a chance and would think more events like it should pop up on the landscape. Hopefully.

Jon Grosz

It was interesting that two of the names on the list were representing a collective of artists. Jon Grosz showed us the work of his colleagues.

Chris Fergusan from HAVN

Chris Fergusan from HAVN

Congratulations Chris McLeod!

Congratulations Chris McLeod!

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The last days of Sanford Avenue School – a raw video walk around

It was a cold and windy evening…

This heritage worthy building we fought for is now in mid-demolition and I am not sure how much longer there will be any structure left. It really was suddenly cold and windy, but I felt the urgency to document this last stand of one of the last of the great Barton Village classic buildings.

This is pretty raw footage of me walking around the building. I do make a brief statement at the beginning, but this is for reference for … future use. Hopefully, we’ve made a difference overall in Hamilton for other communities going forward.

Sanford Avenue School was a very special heritage building, built in 1932 during the great depression. One of the gems of a notoriously poor neighbourhood, this is the sort of structure that is attractive for a very wide range of opportunities including a college, a community centre or health facility. Despite well documented flaws in the public consultation process and the demolition / heritage process, the HWDSB, the City of Hamilton and then the Government of Ontario failed the future interests of  the Barton Village community and allowed the first 100% steel framed building in Canada to be sold as scrap. No public interest from developers was allowed to be entertained.

For the record, below is a list of  trustees who voted to allow Sanford Avenue School to be demolished, and not to allow any alternatives to be presented by private or non-governmental organizational interest. Also included on this list of “Heritage & Community Shame” are the City and Provincial elected officials without whose express support and approval this tragedy could not have happened.

At the time of this posting, there is no secured funding or concrete plans for any development of the site into a park, soccer field or Recreation Complex expansion.  The most frustrating part for most of us? There would of been enough room for all of this if they had agreed to re-arrange parking instead of demolishing this beautiful structure that would have served nicely economic tool for revitalization. There is a need for new leadership in Hamilton, and the following elected officials should not trusted with public office again:

Ward 3 Councilor 

Bernie Morelli

Hamilton Wentworth District School Board Chair

Tim Simmons

HWDSB Trustees:

Bob Barlow

Todd White

Lillian Orban

Wes Hicks

Jessica Brennan

Karen Turkstra

Ray Mulholland

(Former) Liberal Education Minister

Laurel Broten

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friend, fellow heritage activist and Photographer Joanna St. Jacques

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See also http://hamiltonsusualsuspects.blogspot.ca/?m=1 for more photos and discussion

New work: text back in art

I had made myself promise I would not compose any text based work for a year. I kept falling back into the same work, the same way and it was slow and I was losing the joy.

I cheated a bit, but mostly held true to staying away from using text – and super glad I did. I’m feeling freer with the composition and quicker about it to – funny how feeling uncertain will slow things down so drastically. I am now officially allowed to work back in text as much as I want.

Yep, another series to finish off – this one will be called “AP3″. This will be with a lot of stencils work and on a stack of very nice arche rag paper that I’ve been hoarding for almost 20 years. It’s … relieving to have this kind of clean break from the old text work to this.

pants

oil, vinyl on paper

 

 

Who watches the opacity? Art & activism in the shadow of big industry

I thought I was alone these last couple of years watching in awe the monstrous, billowing, sky creatures of Hamilton’s industrial sector.

069 Collage

Oh, I know Hamilton is and has long been an area of fascination for artists both casual and professional. Most of what I’ve seen (and much of my own work) is based on the ground up i.e structures and landscapes. But just above that is another landscape entirely – and I’ve been referring to the airspace above the industrial sector as “landscape” because what is going on up there is far too solid and far too much a permanent fixture to be called anything else.

I look for the flames when I cross into Hamilton from work, and I’ll always glance to the air above the architecture to see what is billowing where … and just marvel at how large and, literally, “opaque” these are. Night and day, though wind and rain, I would explore vantage points and study these shapes. I started to take pictures, then time lapse pictures, then movies, then collages… and now, thousands of photos later my first exhibit with this series of work opens tomorrow at 173 James Street North. Both formal and a flight of fancy influenced by a healthy dose of local activism and politics, I started to anthropomorphise the emissions as kind of creatures of mythology. (Is “anthropomorphise” the right word? I’m not sure as technically I am ascribing qualities of non-humans, greek gods, to non-human emissions… )

The relationship, for me, drew similarities to what I assume living among titans and gods would of been like. Huge and obvious, dominating and affecting the landscape yet uncaring and oblivious to gnats like me frittering away at the edges. Sure, I can indirectly communicate with the people operating this machinery, but that is also a claim of priests and oracles at any temple. There are always prophecies of doom and of hope flying about in classical mythology, as there are in Hamilton council and on the local chorus – twitter. I could go on, but that’s basically how my mind always keeps connecting things on me and then I tend to go “deep into the rabbit hole” with work and research. And that’s how I arrived at this collection of digital prints, my first solo exhibit in many years. It’s called “Uranus of Hamilton” – and yes, I know. The name has a few different stories to it, though it is the correct name as this 7 work exhibit refers to the creation mythology of Ancient Greece.

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Anyways, so I thought I was alone out there watching for industrial emissions because of their visual qualities. But I was not alone – here’s a recent CBC Hamilton news article about Lynda Lukasik, executive director of Environment Hamilton, who was out there around the same period “documenting and photographing the emissions for months”.  I didn’t know there were laws on the opacity of industrial emissions, and it’s neat to think that what I saw as formally fascinating yet rationally horrifying was kinda validated by this unfolding environmental story.

I am very impressed with Lukasik and local residents for their work on this, and very grateful. It’s a real effort, I think, to break out of our accustomed blind-spots that build up over time and prevent us from seeing some of the absurdity right in front of our eyes. These titans of industry are no slouches – they know what they are doing and they know how to minimize the perception of their presence. For example, I can’t get anywhere inside the industrial sector – I once got in trouble by three security guards for standing on patch of corporate lawn to take a picture of a statue. Public parking is also non-existent in that area and they spend a lot of time and money doing marketing and PR based on charities and the arts.

As thick and opaque as Dafasco’s industrial emissions, this kind of practice shields their activities from most citizens by associating what we are seeing with warm and fuzzy feelings about community and jobs and things like that. Adding insult to injury is the fact that they are spending millions on marketing while receiving millions to keep the plants open. They are also not spending the millions government is spending to clean up toxic areas such as Randal’s Reef.

This asymmetrical scale of priorities and responsibilities is a neat trick of smoke and mirrors. I learned it takes full time dedication from patient and perceptive locals to see through it and be able to change the titan’s behaviour. I, on the other hand, was only observing the titan behaviour.

Some more work from that series is in this post, but not of the works in the exhibit though. You’ll have to show up sometime with April 12th to May 6th to see those.


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Bonus: I’ve included a sort of “hidden” work in the gallery that is based on the below raw footage of Tartarus.

Only audio-visual for one year: a twitter experiment

I was feeling like my personal twitter account, @muskoxen, was losing focus. I was meandering in bit in timing and content and losing interest fast – and losing followers as well, though quality is better than quantity for an earnest and meaningful dialogue.  I have lots to say but was tiring of text, as that seems to much of a … box, somehow. I needed to get fresh with what I’m posting, more challenging in a way and also more experimental for twitter users.

Something I’ve been thinking about for a while was switch entirely to photos on social media for a year and see what happens. This seemed like a perfect time, though I’ve limited the experiment to this one twitter account and changed the parameters to be pictures, movies and/or audio. Also, links, retweets and especially hashtags are ok, otherwise it kinda looks like spammers have hacked my account before anyone would even look at a picture attachment.

I’m a flanuer and I like immediate dialogue so this feels like it’s working well with my neighbourhood photos and local based community on twitter. My photos of Hamilton, without a lot editorial, for a year will hopefully have an effect on building awareness of what’s going on in central Hamilton, and in my studio.

After all, the web is heading to be primarily a video based medium – this is just ahead of the curve… ha. But it is an ongoing interest for me to contain the entire capture, production and publication process of the work cycle to a mobile device.

Below are some of the photos i’ve posted to twitter since March 30th, 2013. The project runs until March 30th, 2014.

Go see Maureen Paxton & Raffaele Caterini

At youmegallery.ca

paintings, March 8 – April 7
330 James Street North, Hamilton, Ont

Maureen eats, sleeps and produces entire series of masterful paintings – or at least it seems like it. You can read a better review of her work here.

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Maureen Paxton

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Maureen Paxton

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Raffaele Caterini

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When scientists, media artists and composers collide

Continuum & Subtle Technologies are partnering and both have in common a keen interest in smart people doing smart but unexpected things resulting from cross-discipline collaborations. The resulting project is called “collide” and some of the most interesting people from across Canada are participating in it – and many of these individuals were in attendance at a fundraising party at Gallery 345 in my old haunt of Parkdale Village.

Being manned here in the art outpost of central Hamilton, I promised myself I would make it to more events in Toronto and I was glad to make it to this – especially since Subtle Technologies’ Jim Ruxton has moved into my neighbourhood and I am presenting hounding him for a podcast interview.

Finally, I managed to see inside the space at 345 Sorauren Avenue  I was also very happy to run into Jack Butler, and Susana & Claire from Circuit Gallery, among others.

Below are some photos & a video clip of a performance that evening: Percussionist Ryan Scott performing Erik Griswold’s “Spill.

Look forward to seeing the results of this project!






Industrious painting of an industrial city

Thanks to my studio assistant with the robust, young shoulders I finally assembled and hung the long suffering portrait of Hamilton. This work, consisting of 80 separate little canvases stapled together, is preciously why I am an artist and not an engineer. As of the time of this post, it’s actually holding up quite well though stretching a bit – but I like being able to see staples bridging some gaps in the city-scape.

This work is the last of the 2011 urban survey series. Thanks for the help James.

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“Displaced Landscapes: Uranus of Hamilton” opens April 12th @ #Art crawl

Uranus of Hamilton

April 12th- May 6th
173 James Street North, Hamilton, Ontario
Opening reception Friday, April 12th 7-9pm

Displaced Landscapes: Uranus of Hamilton| Christopher Healey

Please join me during Art Crawl night on James Street North for my new show of photo based prints based on local skyscapes. These are selected works from my Hamilton series focusing on industrial emissions in the city – but pretends what we are seeing is actually Greek Mythology. Below is part of the exhibit statement: ~ Chris

Exhibit Statement

“According to the poet Alcman, Aether was the father of Ouranos, the god of the sky. While Aether was the personification of the upper air, Ouranos was literally the sky itself, composed of a solid dome of brass.”

“After Cronus was born, Gaia and Uranus decreed no more Titans were to be born. They were followed by the one-eyed Cyclopes and the Hecatonchires or Hundred-Handed Ones, who were both thrown into Tartarus by Uranus. This made Gaia furious. Cronus (“the wily, youngest and most terrible of Gaia’s children”[24]), was convinced by Gaia to castrate his father. He did this, and became the ruler of the Titans with his sister-wife Rhea as his consort, and the other Titans became his court.”

~wikipedia

As an industrial city and port, Hamilton has a particular relationship with the sky, earth, fire and water. It’s an elemental dynamic that is always at play, and that makes for a sweeping and majestic landscape. This primal yet manufactured visual is reminiscent of Greek mythology, and prompted me to dissociate elements of what I was seeing, and to re-frame them as scenes from classical stories. The hubris, struggle and morality lessons of creation mythology are an apt commentary of a Hamilton in a state of identity crisis: The titans borne of industry and their older world status are being challenged by a younger, cleverer community. It’s a grand philosophical battle that is reflected in the devastated areas of the urban core and in the physical manifestation of our relationship with the sky.

a Hamilton brownfield

a Hamilton brownfield

Formally, since moving to Hamilton late in 2010 my process has been greatly influenced by the built heritage, community relationships / history with industry and the perceptions of Hamilton from both inside the community and outside of it. This series of work, outside of my usual practice of drawing and painting, is my first  exploration of digital print based media.

emission study

emission study

Through digital photography and layering techniques, these prints are a perspective of landscape as environment of cloud, air and emissions. A familiar and often documented fixture in the Hamilton community, as well as many other communities, smoke stacks are universally symbolic of industry, environment and politics.

emission study

emission study

In this series, I am attempting to focus past these common discourses and formally examine the ephemeral and displaced characteristics emissions of steam / vapour / smoke without it’s architectural source or other visual clutter. It can be argued this moment of shape and process is a valid, important and beautiful part of our visual community landscape as any building or geological feature – especially if we remove it entirely of our own bias and associative meanings of it’s practical function and effects.

emission study

emission study

Can the shapes and movements of emissions transcend preconceived notions of industry and be accepted as a natural part of our immediate environment?

emission study

emission study

These careful studies ask this absurd question by de-contextualizing the natural and the manufactured as a process of artificially homogenizing multiple images. The result is series of very soft, subtle fields that are both familiar and strange, encouraging study and contemplation.

173 James Street North

Hamilton, Ontario
L8R 2K9
Canada

Media Contact: Christopher Healey
artlistpro@gmail .com

[photos]Go see Dagmara Genda & Bruce Montcombroux @ The Inc

Make sure you check out this exhibit at Hamilton Artists Inc before it’s over March 13th, 2013. Some remarkable work by these two artists from western Canada.

(I like taking photos of artists and their work. I think I’ll do more)

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BRUCE MONTCOMBROUX

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DAGMARA GENDA

[video / photos] Walk Through of “ignition 1″ exhibit @ Hamilton Artists Inc’s JSN Gallery

Emily Benedict   Katie Leaf   Devan Marinaccio

Feb. 7 to Mar. 3, 2013

(sorry I touched the sculpture. i was only trying to help. it got stuck and it looked easy to fix, but it wasn’t. I knew if I kept trying to help I would destroy it. also, a lovely show.)

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[photos] Painter Kathy Seaboyer’s studio & home in Ajijic, Mexico

Kathy is an artist hailing from Lunenburg, Nova Scotia and now lives in the middle of an Mexican farm field near the shore of Lake Chapala.

Kathy could be another case in point for making an argument of a talent drain from Canada, and her life here gives one ideas and schemes. A comfortable, sunny living and studio space that is sorta typical here and rents can be very affordable (The crop fields are a bonus for this particular location). I loved the chickens in the space, and the stained glass doors too. Also, the dogs.

I met Kathy at Pat Apt’s studio and we quickly figured out my family and her live very close by and in fact we had mutual “friends” – her dogs. Dogs, both street and domestic, are everywhere here in this village and one tends to get to know the area pooches who greet you as you walk by. Many domestic dogs are strays taken in by people, and can be fierce and loyal pets – Kathy’s are a mix of both and I was received well by them but they kept a close eye on me. Especially around the chickens.

www.kseaboyer.com

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[Podcast #7 / Video] Interview with artist Pat Apt

While I was staying in a village called Ajijic, in the mountains of central west Mexico, I talked to an artist whose free spirit led to a commitment to living and working in this artist community for the last 21 years.

Painter and printmaker Pat Apt just moved into new studio space digs in the downtown of this cobble stoned town with it’s narrow streets and a bustling international foot traffic. With a wide open garage door, Pat risks people like me wandering in and asking her a million questions. But she’s a shrewd and insightful person and knows that location, location, location is everything – whether for your studio / gallery or hoping into a car one day and deciding to go get lost in Mexico. Pat is an eminent figure in this community of artists and I suspect her new studio, with the addition of the soon-to-arrive intaglio printing press, will be a thriving and central art hub for years to come.

I wanted to hear some of Pat’s story about an artist deciding to pick up and move one day and what factors lead into her decision to settle in a mountain village called Ajijic. The answer may surprise you.

I took some photos of Pat and her studio, but also of some of the other artist’s work in her studio at that time. I’m sorry I don’t have those names to credit those works but hopefully will soon. I added in other photos of the region as well, in part to provide some context to the landscape paintings. Included are shots of Guadalajara, Chapala, Chapala Lake, San Juan Cosala, Colima Volcano,  Colima and Cuatulyan on the coast as well as scenery from in between these places. (I know I need to take more photos for the movie version of my podcasts, but I discovered my iphone won’t upload files that large to youtube – a snag in my quest for 100% production mobility.)

[Podcast] Interview with Artist Pat Apt



Pat Apt’s artist website is patapt.artspan.com

I say “working in the studio” you think “he’s not doing anything important”

Most creatives reading this understand that title. Below are some actual quotes from family, friends and strangers offering me unsolicited advice and insights. Some of them are actually nice, others …. part of the job I suppose.

- “I’ve never seen anyone work so hard in order not to work”

- “What are you going to be when you grow up?”

- “If it’s important to you then it’s worth it.”

- “Must be nice.”

- “Do you sell your stuff online?”

- “Do you want to go to [some event] with me instead? I have an extra ticket.”

- “Can I stop by? I need to talk to you.”

- “What kind of art do you do?”

- “Let me tell you about the kind of art I like / don’t like.”

- “My [somebody] was a really good artist. You must of heard of [whoever]? No!? Hmmm.”

- “That’s super.”

- “Is there an admission fee to your show?”

- “You should sell calendars of your work.”

- “I like everything up to the Impressionists.”

- “Do you actually sell your work?”

- “Call me if you do anything in blue.”

- “I can draw a horse.”

- “Maybe you can get a job teaching art.”

- “We should have a party in your space.”

- “You know, painting celebrity heads on funny bodies would sell really well.”

- “You’re very lucky. Most people can’t afford to be an artist.”

- “I know a really talented artist. She’s also a Bio-Engineer Scientist, scratch golfer and Rhodes Scholar.”

- “There’s already too many artists.”

- “You went to school for that?”

- “I’m a photographer.”

- “Did you hear about that painting in the news that sold for [lots of money]?”

- “I believe art should look like something.”

- “I have an idea for a children’s book, and need an illustrator….”

- “Ever design a logo?”

- “What is art?”

- “Did you see that [huge exhibit] at the [huge museum] last year?”

- “I like your earlier work.”

- “I have a painting at home that I don’t know who did it”

Bar Fight! drawing a drunken brawl from memory

Here’s a work from 2005 – about 5 feet by 6 feet, chalk & charcoal on raw canvas. And yes, it’s titled “Bar Fight!”

drawing art work

I know it’s a bit rough looking and it’s supposed to be. It was more crisp when I drew it closer to the actual event and over the years it has lost much of the powder of the charcoal and chalk, and you can see the grid appearing in the drawing from folding and storing it. It is folded up and stuffed in a box in my attic right now – for me, it replicates the process of memory and story.

What is the story? In short, a group of friends and I were jumped by a table of young, dumb thugs at a bar on St. Patty’s day in 2005. Two of our party were playing instruments at the time. It happened very fast and everyone reacted differently and sort of became isolated in our situations. My drawing is an impression of the mayhem – and a portrait of the dumbass who picked a fight with me.

I showed it at an open studio event and got reactions from my group that night. Couple of my male friends from that night were very concerned about if they were portrayed in this, and how they were portrayed. Especially one friend who fell down at some point and was very offended that he may have been rendered above as crawling along the floor. He was kinda a jerk anyways who tended to get into a lot of fights with strangers. I think he was so sensitive about it he was ready to pick a fight with me as he questioned me about it.

This was the only brawl I’ve ever been involved in – in part, I like to think, because I’m not a egotistical dumbass like those thugs and some of my friends at that time. Live by the sword, die by the sword – but wielding a charcoal stick is much more powerful.

[online exhibit] Mountain Path, 2013

Instructions:

*update: I’ve added a stand-alone montage version of the work. The instructions below are for viewing each slide individually.

1) Click on the first (top left) thumbnail below to enter fullscreen slideshow mode
2) Scroll (to the right) through the slideshow until you reach the end of the path. Get comfortable: there are 170 slides, including the entry and the eventual destination.
3) You can of course jump in and out anywhere along the path you choose, at any time, but then you might miss the journey inside the experience.

Process notes:

It is important to note that this work is entirely captured, rendered and output through a mobile device and on location during one session.

Artist Statement:

For me, there are several classical and contemporary themes in the work, such as: the supernatural; a formal approach to landscape; a questioning of political / social issues involving digital topographical mapping; a spiritual journey reflecting on death. There are many other contemplations that are evoked for me when I engage the work, and hopefully there will be for the viewer as well.

I enjoy the compositions of the shadows and the rocks, as well as the idea of a digital shadow cast on real objects through a challenging process of documentation for both the tools and the artist. The stresses of this effort on the image and the human traces archived in the process are a very important part of the production philosophy for me.  I welcome comments and questions in the discussion field below where this conversation can continue.

Why exhibit online?

This series works well online I think through the intimacy of scrolling through the series of horizontal based documentation. I enjoy the ideas of creating a work while mobile and exhibiting almost immediately after production, without interference or influence – qualities in art which are actually rare to achieve and I believe warrants further practice.

Though much worthwhile art only works online, this particular show would translate well to a physical exhibition environment and I hope to mount multiple instances of Mountain Path around the world. Please contact me if you are interested in a hosting an edition/ installation of this work.

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MOUNTAIN PATH (2013)
Christopher Healey

 

Mountain Path

Mountain Path

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[Studio] cow skull study #13

Some collage photo work, in lieu of not doing enough drawing and painting … Sigh.

Hope to have more of this series done soon.

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Hey thanks everyone for the likes, I really appreciate it. So much so I’m doing a whole bunch more today, so here’s a fresh one. More will have to wait to my return to my photoshop computer in Canada. I like this first ones that i pulled off entirely on the iphone.

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Some Art PR Wire & Art Listings Professional announcements: all things that post must pass

It’s close to four years since I launched artprwire.com and artlistpro.com.

Both were projects to research the growing online presence for contemporary arts. I am very proud that I was one of the first to explore social media as a platform for curating contemporary art stream , and I have learned a great deal that has influenced my career and my life – namely through the people and art I have connected with as a result.

At the heart of these two websites was my desire to re-invigorate my passion for contemporary art both locally and internationally. I wanted to expose myself as much as possible to current and past exhibits and see as much as work as possible from my limited geographical footprint. I ended up curating a “daily dose of contemporary art” on ALP to the tune of almost 7,000 posts so far. That number is the tip of the iceberg for how many posts, websites and submissions I considered over the years. At some points I can truly say, with pride, that I was totally sick of looking at art!

Also, with pride, I am very happy with the online audience I have built for both sites. They extend beyond the local and even national to a community without borders but unified by a love of looking at good work everyday. Like me. As an artist, I wanted to build a context to release my own work online and feel like I have managed to do that – as well I have become a fan of several artists and online curators I would never of known about otherwise.

But life changes all plans, as my success online has translated into career opportunities elsewhere. Below are some announcements for both sites.

ART PR WIRE

I started this free service as a basic art list that artists and galleries that lacked a marketing budget could utilize to make sure their invite info could be found online. It was and still is a problem for many to be able to effectively send out a press release that is fairly considered for it’s merit and not necessarily for the paid service it is using. In Canada especially, the arts scene is dominated by a commercial monopoly that has limited room and frankly a limited scope – a classic arts administrator mindset of marketing to each other instead of marketing to a wider audience. More about that below.

I actually used to phone up galleries and museums and invite them to submit PR to my website. I was met with a great deal of suspicion and derision, to say the least, and it was a little surprising. I stopped being so proactive and handed out cards at some art galleries and fairs, and as social media evolved beyond doubt then the arts started … later than almost every other industry… to accept that this was a valuable tool. Now I have international exhibits from a wide variety of professional venues and many of the PR submissions I post “go viral” – they get tens of thousands of views I get very good feedback from the galleries participating. This kind of international popularity is, in my view, a very valuable service and a unique channel for local Canadian artists and organizations.

Did I mention it was free? I may develop a paid component for some extra services but I am after the huge market of galleries that don’t engage paid services. The value is the audience data I collect, and the industry expertise I have in publishing such a service. I get gigs now with art magazines and galleries, and that’s what I wanted.

Announcement #1:

I have decided to abandon completely efforts to include local arts organizations. For example, I have lived in Hamilton, Ontario for almost three years and have, on numerous occasions, approached some local public arts organizations and galleries. As I do, I asked to be put on on their media list for PR and opportunities to cover events on my blog. To date, I have received absolutely nothing of the kind from these places. I also cannot access the usual media opportunities to cover these events for my blog and websites. I am invited to many large scale media events in Toronto, New York, Miami, and Los Angeles (for example) but not in Hamilton, Ontario.

I think it’s fair and fine to not utilize a service, but these organizations actually receive public money to operate and to not bother simply adding an email to your email list raises a lot of questions for me. I think what bothers me the most is the disservice this does for the artists involved.

Anyways, my new policy on this is that I will not cover local publicly-funded events unless I am invited as media – though I may still attend. I hope that sounds fair.

Announcement #2:

I am moving away from Tumblr as my primary platform for Art PR Wire and have switched to WordPress to host my content (check out artprweb.com). The reason is that Tumblr took down a post because of a DMCA complaint – one that was so blatantly frivolous and baseless I was shocked. They don’t have their communities interest at heart and I don’t trust them anymore with my content. It took a team of lawyers to get them to re-post the censored content, with an apology to me, and the associated image with that photo format post was forever  lost due their actions. Pretty disappointing and frightening that an intellectual copyright mark against me goes on a permanent record so easily and quickly . There is an opportunity to file a counter-notice against such a malicious complaint, but Tumblr demanded my personal address and full name so they could send it to this weird person harassing me. VERY disturbing and potentially dangerous for someone with a stalker or abusive ex, for example.

Announcement #3:

Though I strip the hyperlink in email addresses as a courtesy, my policy now is that what you email me is what I post on the website. I don’t have time to edit or format submissions. If you don’t want your phone number on a website, please do not include it in your submission.

Art Listings Professional

Announcement

I have enjoyed being an editor and publisher of a pioneering social media powered magazine about contemporary art. Somedays, I have posted as much as 20 works as a considered group in a curated stream. But now I feel ready to concentrate on my own studio work and consolidate my reviews, interviews and art postings onto my wordpress blog here at chrishealey.me. I am closing down ArtListPro as it currently functions and merging it with Art PR Wire. I believe this enhances the value for artists and galleries posted about on this network – but my giant online curated art stream project is coming to an end. It’s no longer as fun as it was and for the reasons mentioned above I am now deeply mistrustful of Tumblr’s ability to protect it’s community members and their legitimate content.

I will have other projects online, but ALP was special and I want to thank my fans and subscribers over the last few years for their encouragement and feedback. I hope you enjoy the format change to the best submissions of current art exhibits and events from around the world.

Fun with Glitch Art – inspiration from my couch

I love glitch art and even dabbled in it many years ago, though at the time I did not know what glitch art was, and I don’t think the term existed yet though I am sure many artists were creating glitch art way before it became a “thing” in the art world.

Anyways, here I am in Mexico visiting my parents. A treat for me is the fact they have a television here, and it’s satellite no less. Well, I’ve been here two weeks and it has yet to work properly – not that I really care, it’s all crap anyways, but it did provide some stunning visuals. So last night I went through the channels and took pictures of some choice fucked up signals. I am currently fantasizing about making these into a series of paintings. Enjoy!

More Orwellian than the Harper Government – Local Artists

Like many, I was inspired to read Allan Gregg’s speech “The Assault on Reason” that outlined and warned us of the similarities to our present day conservative government and the world in George Orwell’s book 1984. This argument was remarkable, not because of what it said but who said – Gregg is a well known conservative. It is not exactly a secret in Canada that science, the environment and social compassion are under a sustained and deliberate assault from a really mean group of bullies who are self-absorbed, entitled and placing their interests above all else, even to the point that they inevitably will do more harm to our world than good.

This very much reminded me of your typical artist.

Have you ever heard the sentiment “Inside every artist is a dictator”?

Ok, I know, artists are typically left leaning intellectual types who fight for free speech, social justice and all kinds of good things. That can certainly be true but as I’ve pointed out before, there are very scary people in involved in arts administration, and throughout the non-profit and charitable sector. A dictator can come from the left, right or centre – that is essential, in my opinion, to understanding the Orwellian potential in our selves and those around us. Perhaps with the best of intentions, sincere efforts to improve the world is what leads to a world like 1984 – it is our conviction that we are fighting the good fight that blinds us to this fact. I think Gregg made this point, among many good points, and I totally agree – and this very much reminds me of the mindset of artists.

Local artists would, if they could, be the headlining part of all group exhibits and occupy all of the wall space in every coffee shop and restaurant they are aware of. They would be granted a solo exhibit at every gallery in their home town every year forever and be courted by other galleries near and far.

If they could, they would crush their critics and see galleries who have turned them down wither and die in humiliation. They would, if they could, get all of the public funds for all the public projects.

Local artists ostracize competing local artists – they will not mention, recommend or promote you. Local artists would if they could control this information.

They don’t share money – or proceeds from sales. You can help get them an exhibit, but they won’t help you.

They’ll sit on every gallery committee they can if they that got them exhibits.

They are also above deadlines and all that hubbub – they will bring in the work to a group exhibit whenever it damn well suits them. And they’ll take their work back whenever they damn well please.

They won’t volunteer to help with events – but they contribute meaningfully by criticizing anything they don’t immediately like.

In short, they would re-write art history. And god help you if you misspell their name on anything.

Also Orwellian of all is when a blogger, critic or journalist writes something about their work that they don’t agree with – or worse they write nothing at all. They want to change this, and perhaps this fuels their need to control a world that comes in variety of standard canvas sizes.

And the most controlling, Orwellian aspect of local artists – DO NOT TAKE A PHOTO OF THEIR WORK UNDER ANY CIRCUMSTANCES. Their work is so original, and so special, the internets will steal it and sweat shops in third world countries will reproduce it and various copies will appear in gallery gift shops in famous galleries and museums around the world, and the local artist will got none of the credit and profits they deserve.

Of course, the only thing more fearsome and controlling than a local artist is a regional curator. But that’s another post…

Photo essay: Three Generations Road Trip across USA to Mexico

My son and my father and I drove to Guadalajara, Mexico from Hamilton, Ontario over the course of four days. The reason was to spare my parent’s dogs from the cargo hold of an airplane in December weather. I’ve never done this trip and found the landscapes fascinating – and the hardscrabble poorness of parts of the American landscape was surprising even though I knew in theory this was what I should expect. We literally saw hundreds of desolate homes and business lining the highways we took. This was broken by Walmarts, fastfood outlets and all kinds of churches with dramatic names. By contrast, the poorness of the Mexican landscape was somehow … richer.

[Podcast #6 / Video] Interview with artist Jack Butler

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Podcast #6 (also on iTunes)

Jack Butler is one of the first friends I made when I moved to Hamilton, Ontario 2 years ago – and he also happens to be a significant figure in art history. Not only in Canada throughout his 61 years of exhibiting but also internationally as demonstrated by being the first Canadian artist included in the seminal Jansen’s History of Art. His accomplishments include being a founding member of the Sanavik Cooperative in Baker Lake, Nunavut and being a pioneer in bridging art and science as medical model builder for over thirty years.

For me, this is perhaps one of the most important interviews I have approached, and this is evident by my taking almost 6 months to edit and finish the video and podcast. I struggled to keep up with his keen insight and vast experience both in my familiar area of art knowledge and my unfamiliar area of medical research methodology and culture. I hope I brought a bit of what makes Jack Butler special forward into this three-part conversation.

The first part is discussing a particular experience for Butler as he conquered a phobia induced by a footbridge in Toronto, Canada. The second is a walk through of his studio where we examine some of his current work and research, and the third is an audio only recording delving in his past – including formative moments in his development as an artist. For the video version, I have overlain photographs of his studio, the footbridge and work documented on his website.

Jack has two major exhibits coming up in 2013 – one opens Jan 10th at Hamilton Artists Inc. in Hamilton, Ontario ( http://theinc.ca/2012/12/06/storybones-jack-butler/ ) and the other opens Jan 2nd at Red Head Gallery in Toronto, Ontario ( http://tinyurl.com/ccltzpe )

You can also hear Jack talk more about specific projects at his website below:

http://fatemaps.ca/

Sanford Avenue School shines bright – photography by artist Joanna St.Jacques

Sanford Avenue School

A friend here in Hamilton, Ontario came over to my hood and took this photo. When she emailed it to me later, I was blown away – not only because I’ve developed a personal attachment to it while fighting to save it from being demolished, but because it has been stubbornly difficult to being able to be photographed as a whole, with its character intact. This is the best contemporary  impression of this 1932 depression-era heritage I have seen.

I love this photo for many reasons. Formally, I love the grid of windows, each with it’s own variance tells a story of when it was last used (can you spot the Mona Lisa lurking in one of the windows? a neat cardboard cutout I had not noticed before…). I look at the accents on top the building and how this is like something straight out of the Art Deco influenced movie “Metropolis“. I look at this and it makes me want to learn more about architecture.

Sadly and beautifully, the neglect and stress of the last ten years is all over this building. The atmosphere of this work is troubling, brooding and somehow majestic. I had the pleasure of hanging out with St. Jacques while she took this photo with some special techniques, but I won’t reveal them.

The grit and dirt of it’s exterior is a texture that contrasts with the solid frame and spectacular craftsmanship that would hold this structure together for hundreds of years – if we let it. The school board has rebuffed those who wanted to re-vitalize it over the last ten years, while not maintaining it or making repairs.

Currently, the building is still slated for demolition as early as three weeks from now. They have no funds to replace it with anything but a rubble strewn empty lot, and they are essentially tearing down this building because the “big machine” of bureaucracy considers a mostly empty parking lot beside it as untouchable. Insurance, of course, is also an issue and the school board could clear this liability off their books, regardless of the developers and community members asking to be allowed to present alternatives for using it. Exactly how could these considerations be any less inspiring, noble or even necessary?

There is a Hamilton Wentworth District School Board Board of Trustees meeting on Monday, December 17th. This is the last meeting before they can go ahead and demolish it and leave this poor neighbourhood another empty lot to live with.

Please consider contacting your local Trustee and expressing your concerns about this situation – our community voices are making a difference:

Ward 3
Lower City

Tim Simmons
Chair of the Board
Chair’s Office: 905.527.5092 x 2279
Phone: 905.308.6832
tim.simmons@hwdsb.on.ca

Ward 9 & 10
West Stoney Creek
(lower and mountain)

Robert Barlow
Vice-Chair
Phone: 905.308.2483
robert.barlow@hwdsb.on.ca

Ward 1 & 2
West Lower city

Judith Bishop
Phone: 905.512.5713
judith.bishop@hwdsb.on.ca

Ward 4
East Lower City

Ray Mulholland
Phone: 905.547.2237
ray.mulholland@hwdsb.on.ca

Ward 5
East City

Todd White
Phone: 289.237.1644
todd.white@hwdsb.on.ca

Ward 6
East Mountain

Laura Peddle
Phone: 289.238.9284
Cell: 905.308.3367
laura.peddle@hwdsb.on.ca

Ward 7
Central Mountain

Lillian Orban
Phone: 905.573.8181
lillian.orban@hwdsb.on.ca

Ward 8
West Mountain

Wes Hicks
Phone: 905.383.2222
wes.hicks@hwdsb.on.ca

Ward 11 & 12
East Stoney Creek
Ancaster
Glanbrook

Alex Johnstone
Phone: 905.515.7082
alex.johnstone@hwdsb.on.ca

Ward 13
Dundas

Jessica Brennan
Message Line 905.627.3820.
jessica.brennan@hwdsb.on.ca

Ward 14 & 15
Flamborough

Karen Turkstra
Phone: 905.515.8726
karen.turkstra@hwdsb.on.ca

A view of the parking lot the City and School Board bureaucracy want to preserve (note the wide and underused street suitable for street parking)

Sanford School, street and parking

Sanford School, street and parking

 

Professional wresting photo series – more instagram candy

It seemed fitting to attend a wrestling event since I’ve been fighting against the forces of bureaucracy and poverty lately. This was “Wrestling for Noah:  a charity event raising money for a eight year old boy with stage four cancer.” and was as good a cause as it was fun. Everyone had a great time, and there was a lot of humour in the names and theatrics – and the acrobatic skill and hard work in this production for a room full of people was beyond question. Plus having been a wrestler and gone through stage 4 cancer myself, many years ago, I felt compelled to stop by 205 Cannon, an increasingly important location in Hamilton’s cultural landscape.

Since this was taking place in an arts and production facility with limited room, there was a big bonus of having a genuine green screen as a back drop on two sides of the ring. This screamed for photos of the interesting tableaus the athletes struck as they played out timeless narratives. My iphone 4s camera has it’s limitations, but I enjoyed using this tool as best I could to create a fun series and play with the dynamics of compositions with “live models”. I was also very lucky to be able to get so close to the stage.

I should of been home working, but I’m glad I wasn’t.

ukkuh

Moments of Zen: Saving Sanford School becomes theatre of the absurd

I had a Jon Stewart type “moment of Zen” last night at the special community meeting organized to discuss the looming demolition of the 1932 Sanford Avenue School. Actually, I had several and perhaps that’s the best way to report back on what happened. I felt in danger last night of spontaneously turning into a giant insect – or at the very least, that I was viewed as one by many of the Cathy Wever School posse that composed the majority of the over 90 people in the room.

This Parking Lot brought to you by 1984

I’ll start with the moment that stands out for me and will probably haunt me for the rest of my life: A staff member of the Cathy Wever School actually stood up and passionately - emotionally even – defended keeping the east end of the parking lot as her friends “drive to work everyday. Where are they going to park!?!”. She was offended and angry at my idea of putting the proposed soccer field there *instead of* demolishing a perfectly good heritage building.

My mind unpleasantly expanded then contracted in that instant. Here was a public school staff member advocating tearing down a historically significant piece of architecture in favour of parking. Maybe the bureaucracy of a school board taking that posistion is not a surprise, but one tends to hold a romantic idea that individual people in the public education industry would see the intrinsic value in a historic building of world-class design as an ideal environment for young minds – for now and future generations in the community. But she doesn’t think that way. She wants to see it leveled as soon as possible, erased from the landscape of the neighbourhood and the community’s memory. If you wonder where the problem with kids being disengaged from the value of academics comes from, then the culture of the adults working with them in the public school system is probably as good a place as any to look at. Actions like this is how attitudes become ingrained in children.

Mitt Romney’s campaign strategy works in Ward 3

The next moment of Zen for me was suddenly feeling like I understood Barack Obama’s flustered frustrations in debating Mitt Romney’s overly simplistic and misleading “I’ll give you all jobs” mantra. Last night, simply take out “jobs” and drop in “parks for the kids” and you have the position of the School Board staff, City officials and parents in the face of overwhelming evidence that demolishing Sanford School was not desirable or necessary in order for the kids to have parks and a soccer field on that site.

We tried to point out that there is no approved funding for replacing Sanford School with anything but an empty lot. We pointed out that a mere 40 parking spots could be moved to get that park, that soccer pitch there. We proved there were parties with the expertise and means to turn the empty school into a vibrant community fixture. We proclaimed our support for everything the parents wanted for their children – but none of this reality seemed to matter. It fell on deaf ears. It truly was a moment where any meaningful discussion was simply not possible in the face of what bizarrely could be called “park propaganda”. Effectively, all they did was help ensure local kids will likely grow up with another giant, empty lot that acts as another barrier to this area’s chances of economic recovery. Has anyone actually calculated the loss of tax revenue for the City of Hamilton in allowing a development friendly building to be demolished?

One developer told me property taxes would be “about $150,000 a year”. Imagine what that kind of injection could do this for this community. I keep thinking that is one expensive parking lot.

A warbling, sentimental speech about how kids love parks

This was the first moment where many of us looked at each other with incredulity. The chair and trustee of the school board read off a rambling speech about how he grew up in a more affluent area of town where there were parks for the kids. As a kid, he loved parks. His kids love parks. Kids love parks. Parks are important for kids. Kids here should have parks. Parks for kids is what the kids want. Parents want their kids to be in parks.

This turned out to be perhaps the most strategically clever moment of the entire night – he set the divisive tone to set the two groups against each other . The Cathy Wever School crowd clung to this “all or nothing / with us or against us / you’re for the kids or against the kids” politics that reminded me of the playbook of Vic Toews. They opted for passion over reason, and framed those of us trying to participate in this process as the agents of passion over reason. A neat trick.

Another deft result this long winded prepared speech had was to eat up valuable time, as the meeting had an expiration date of two hours. Two hours to somehow fight through the noise, and several times our Trustee and Councilor dismissed presented options because they were not “concrete enough”. It was impossible to present what they claimed was needed to earn a reprieve in the demolition of Sanford. This was crazy. Some might call it a sham.

It must also be pointed out that the childhood neighbourhood Tim Simmons waxed sentimental about is Westdale – an area that was allowed to keep their heritage school building. They have green space and bike paths. They have two way streets, with parking spots on them, in lieu of the vast parking lots that are central to the Sanford School debate. Westdale is an area of town that is one of the best places to live in Hamilton, with a very high quality of life.

Uncovering a conspiracy of lazy neighbours and developers

“You’re lying” one parent outright accused us, in response to our claim that our neighbours and ourselves were not provided an opportunity to participate in the consultation process. This ugly acccusation was the tone for the pro-demolotion group of school staff and parents in dismissing our concerns, and was dramatically presented enough to warrant being repeated in some news reports of this meeting.

If we think about this for moment, it makes no sense that we are lying about not knowing. I’ve probably put in more than a hundred hours over the last ten days to this decisision, and there are my neighbours and development professionals in the community all expressing alarm at being caught off guard. Almost ninety people showed up to this meeting precisely because of this public consultation process being flawed from the outset. I, and almost certainly the rest of the citizens protesting this process, would rather have had a chance to attend a more civil, constructive and publicly announced community meeting *before* this decision was made. Claiming we knew this was going to happen all along, and that we knew there was a meeting and simply were too lazy to attend and do anything about it until a Herculean last ditch effort is ridiculous.

But this meeting was not about thinking this through. This meeting was about stirring up emotions and hurling accusations at a community that does not happen to be part of the Cathy Wever School. These are classic political strategies for dividing a community, isolating the group that disagrees with you and then conquering your opposition.

Why did the chicken cross the road? For every other reason but to get to a park.

The same parent then described how one of her children got hit by a car crossing the street to the extremely close Woodlands Park. This was to demonstrate that there needed to be a park beside the school.

Remember when I mentioned earlier that no one is arguing against having a park or soccer field at Cathy Wever School? Any reasonable position that was not pro-demolition got swept aside by dramatics and emotional statements. The councilor, school trustree and city officials in attendance did nothing to record the conversation so as to dissuade this sort of distraction.

The vast majority of these parents and children have to cross these dangerous streets twice a day to get to the school and then return home. Many of them cross the vast soccer field at Woodlands Park to get to the school, which is about a one minute walk away.

This also, astonishingly, did not spark the notion for this group that the neighbourhood would be better served by safer streets, including segregated bike lanes. It further eroded the validity of my side’s position - we were forced to somehow try to justify small children getting hit by cars or do crazy things to the streets that these people did not care about at all. Most of the staff and decision makers drive in and out of this community to arrive at an area with an excess of parking. Why would they care about that extraneous, unrealistic solutions we were putting forward? This is, of course, more absurdity. This emphasis on driving on dangerous, huge streets that are virtual highways in this community is what put this parent’s child in danger in the first place, and is directly correlated to the view point that Sanford School needs to be demolished to make a park that is safer for the kids to get to.

No one mentioned the crossing guards who attend the intersection to and from Woodlands Park before and after school. In retrospect, I don’t feel like pointing that out would make any difference at all.

Back to the Future … of Parking

I need to make clear here, as I tried to make clear over and over to the crowd last night, that the core issue here is the city planners not considering shifting 40 parking spots to somewhere else. They could move the spots to the street, which is huge and under utilized. They could have the staff and employees of Cathy Wever School and the Norman “Pinky” Lewis Recreation Centre park at one of numerous empty lots close by and save the remainder of spots for clients and parents. Who has not had to walk a block to work or home after parking? Apparently, the staff of Cathy Wever School find this concept unthinkable. In turn, I find this deeply disturbing and frankly irresponsible.

Did this proposed solution gain any traction? None at all. Did any other option proposed get considered? Nope.

Seems like what we needed was a community developer with a proven track record to show up and present another option that would benefit the community by keeping and developing the school, and with some frank professional criticisms of the current plan that some of the parents and staff may be unaware of. Michael Clarke, a local lawyer and developer who was involved in key parts of the success of James Street North, did just that.

He was dismissed immediately by the Trustee for his “sales pitch”. Yet, his was the message that the school board and councilor claimed was absent that led to the decision to demolish Sanford School. The only thing he could have done that might of immediatly changed some minds was show up with a giant pile of money and perhaps NickelBack to play a pro-Sanford concert on the gymnasium stage while tossing out free bottles of vodka and soccer balls to the assembled crowd.

Clarke was asking for some time to be able to propose a plan – something that was impossible to do given he has had only 10 days to prepare and further hindered by the fact demolition can start next month

I have to list these other obvious questions that were not addressed last night:

Why is the rec centre expansion not incorporated into the Sanford School building?

Why was the Cathy Wever School building not incorporated into the Sanford School building?

If parking is and will be such a large problem, then why are solutions such as a underground parking and / or a parking structure not considered?

Would the millions of dollars saved by not demolishing Sanford and by utilizing it as part of the Cathy Wever School / Norman “Pinky” Lewis centre instead of re-building a structure from scratch be better used for a parking structure?

A passionate plea for our insurance and bureaucracy heritage.

More existential angst inducing moments have to be credited to the various public officials who offered helpful insights as to the impossibility of simple actions like fixing the broken boilers at Sanford School or spending any of the millions of dollars supposedly earmarked for demolition and expansion on any other option. If it’s not insurance issues, well then it’s an issue with the Ministry. Or the bureaucracy is “too big a machine” to change direction on – and the trustee and the councilor could not change anything because there were other people involved. People who were not there last night and will only hear our side of the debate via the councilor and the trustee.  And there is absolutely no way to consider moving parking spaces.

You would think the common threads of elected officials and our tax money might be more important to finding a better solution than not trying at all – but you would be mistaken in this case.

Crouching community, Hidden agenda

To me the most terrible aspect of this sordid affair was the manufactured nature of the community consent for demolishing Sanford. When the City and School Board “consulted” the community, they only consulted stakeholders inside the Norman “Pinky” Lewis and Cathy Wever School organizations and not any of the residents who are not part of these organizations. They are of course supposed to, and there is a mention of a public information meeting in 2010, on paper, but there was no notice posted outside the school and no notices distributed to the community. Not to my house, and not to my neighbours.

Other disturbing facts about this process is that Sanford was declared “surplus” 10 years ago – meaning no developer or organization was even allowed to present any other option for the building. And now, incredibly, the school trustee and councilor claim that there was no interest in it so they had no choice.  It is a fact organizations and developers did approach the school board about Sanford – and they are lining up now to take a shot at acquiring it – but were rebuffed because it was unavailable. One organization was told “the city has plans for it, so we can’t accept any other interest in it”.

A few more of my hairs went grey just typing that, and I think I’m developing an eye tick.

One of the victims of this boondoggle is the Cathy Wever Hub – a service provider for this area that wants expanded green space, more basketball courts and more facilities for the kids. They did not advocate destroying our built heritage but sort of got blamed for it by the politics of the situation – the city, the school board and the Cathy Wever School group all point to them as a “community” that were consulted. The Hub called this special meeting last night to correct this assumption and bring the community – my neighbours and myself – together to talk to the real forces behind these decisions. When I first spoke, I tried to help clarify this as well by citing Hamilton Community Foundation policy that Hubs are not neighbourhood associations (and neither are school or recreation staff, for that matter). I think that was a tactical mistake on my part – the Hub people thought I was attacking them and the parents / school staff thought I was undermining their place in the debate. It was ridiculous.

To me, the real victims last night are the duped parents and kids of Cathy Wever School who unfortunately think they are getting green space anytime soon. If it happens, and that’s a big if, then it would be earliest at 2016 and may take to 2022 or even later. To me, some of the worst culprits in this misinformation are those who happen not to be elected, or at all accountable to the larger community but exert great influence over the thinking of the parents and kids in attendance last night – the staff of Cathy Wever School. The feedback of the staff at Cathy Wever School, while  important, is not a community consultation. There was no proper community consultation or public notifications. This is kinda indisputable at this point but, in another moment of zen, appears to simply not matter. The rules of process do not matter here. This is not democracy – this is my local public school.

An apology from the worst culprit of all

That would be me, because last night I allowed the emotion and passion of the immediate situation to affect me. I sneered, I snorted and I quipped out of turn – it was very rude of me and I apologize to everyone there. It did not reflect well on the point my neighbours and I were trying to make, and played into the perception that we were being unreasonable. There is a saying that you should never argue with an idiot because they will drag you down to their level and beat you with experience. I was beat by engaging on a gut reaction emotional level and that compromises any future dialogues with the same groups of people. Though those who were there from start to finish can attest to the many triggers that led to such emotion, I can only imagine what those arriving half way through must have thought.

A tool for preserving our democratic heritage emerges from the rubble

Incredible. Out of the blue and without any knowledge of the Sanford School situation, a Toronto based architect phoned me today to help him build a special website. He is concerned because he is going to help with a new development in a small city and wants to make sure there is communication with the community, and an online forum for tracking feedback on the proposed public project. Citing problems with public meetings where a few aggressive people can dominate any conversation, he thinks together we can help define a template for developers and a community to engage meaningfully over the course of “at least two years” before the project is started.

Compared to what has been happening here, I almost cried. There are people out there who want the same things, there is hope. Together, we are going to build this tool which may help prevent what culminated in the frustrations of last night.

Perhaps the best part of all is that I am going to name this content management tool for developers “Sanford”. This beautiful building may become an empty lot, but the lessons learned here may help other communities. In this way, I will help preserve some of our built heritage the best way I can.

*UPDATED* Surrogate for Sanford interior photos + arguments for demolishing (the A word)


I’ve been on the phone and computer waaay too much this week so decided to take a long walk – which turned out to be a very short walk as I found myself back at the Sanford Avenue School site. I ended up spending hours in the area talking with some very interesting people who had very interesting things to say about this heritage building.

When I approached the Sanford building I noticed, lo and behold – the side door was open!!! This would be my big chance to take a peek inside, so we can see what’s what in there.

Side door of Sanford School

But alas, I noticed a HWDSB van in front of it with someone inside of it, who was obviously fitting the door with a new lock. I asked if I could take a peek but he said “no” – and then kept a steely eye on me as I took the above picture. I’m sure people suddenly rushing through an open door into an empty building in front of the landlord’s employee has happened before. No seriously, after being in Hamilton for two years I am not surprised by much anymore.

So, on a whim, I decided to pop into Mission Services, kiddy parking lot corner to Sanford Avenue School. There is an 85 year old building there (1927) they renovated back into shape as a community services centre for their clients. Barry, the Director of Community Relations, was kind enough to receive my unannounced visit and discuss Sanford Avenue School. I learned they were originally interested in Sanford because there is actually an underground tunnel from their building to the historic school, as the basement of Sanford is also connect to the Norman “Pinky” Lewis Recreation Centre. They thought it would be great to have a senior’s residence there as the residents would be able to go back and forth without having to go outside during the winter months, but when they inquired about the building’s availability they were told by the HWDSB it was unavailable.

Yep, that’s a central issue here. The school has been unavailable for other options – but that’s not to say Mission Services could take it over as they’ve spent a lot on renovations on the former Mohawk College chair storage facility. But he was happy to give me a tour of their building, both the renovated and yet-to-be-renovated parts of the building as an example of what can be done with these kind of buildings when loved by a community. These pictures are the closest thing we have right now to assess what the inside of Sanford Avenue School looks like – and what it could look it.

(if anyone can get me into Sanford Avenue School so I can take some interior photos, please contact me at muskoxen at g mail d ot com)

The A word: Asbestos. Valid reason to demolish?

I did not think about it, but after chatting with a couple of Rec centre employees it was pointed out to me that the school is “full of asbestos”. They also thought the building was so run down that they were not in favour of saving it. They were very focused on “more green space for the kids”. Also, it was pointed out to me that there used to be a big beautiful track and park until the Cathy Wever School expanded.

These are, on the surface, very good reasons for proceeding with plans to demolish Sanford Avenue School and create parkland, a soccer pitch and expanding the recreation centre without kids having to endure a leaky, broken asbestos filled gymnasium that are essentially underground bunkers. Or is it really that simple? I list my counter-arguments below:

Hey ho, asbestos has got to go: can’t argue for asbestos but two things come to mind: 1) *every building* in our city before a certain date has or had removed asbestos. That is part of our reality here, and is unfair to Sanford to single it out for execution for having the same condition of buildings that we decide to keep – regardless of asbestos needing to be removed. If a developer was going to take it over then cleaning that up would have to be part of the deal. 2) They were using the building as recently as two years ago – with asbestos in it as common knowledge!?!? If this is serious enough of a case for tearing it down, then what the heck where they thinking using it at all? This asbestos bugaboo is a distraction from the real issue here, IMHO.

It’s for the kids – don’t you want to help the kids? I actually hate children. Of course, I am kidding. But political rhetoric and lobbying efforts, which dominates what passes as public discourse these days, is very divisive and “think of the children” has been a trojan horse for a variety of questionable motions and now is a rallying cry for tearing down Sanford Avenue School. The problem is none of the funding for these great new developments for the Wever Hub is a done deal. We are in very real danger of spending money on tearing down a development-friendly heritage building and replacing it with nothing. This is another Hamilton story my partner and I have heard about many times. I suppose it could be worse – Jackson Square II could be erected there.

The other counter to this black & white argument of “kids or heritage” is that incorporating the building into the new park and pitch plans has never, ever been explored. In fact, I think the money would be better used on making a better Pinky Lewis Recreation centre. There is lots of room to expand / move it so you could fit a soccer game or two in there. You know, for the childrens. Don’t you care about the childrens?

A school under siege by a premeditated illusion of not having a choice. The Sanford Avenue School is run down and in disrepair. The boilers are broken inside and the basement leaks. You can easily see broken and open windows and rusting grates on the exterior – and no one is raising a finger to prevent further damage to the structure. If there was a way for a property manager to build consensus that a building was undesirable, this sort of “demolition by neglect” would be the best way to go about it. I say property manager in this case because it is actually a public building – you and I already own it through our taxes – but the HWDSB are the caretakers we’ve entrusted with this responsibility.

It’s perfectly natural to want to get a run down building out of your community landscape. What is not natural is allowing a building to fall into this state of disgrace through what appears to be a deliberate campaign of non-action combined with making the building unavailable for any other party to get involved. This has created an environment where, by looking at the surface of the present and not the past or future, a local politician or school official as well as many local residents can claim “Look, that building is falling apart and no one is interested in taking it over. For the sake of the children, we need to demolish it.”

Unfortunately for them, it’s one hell of a building and is not falling apart because it is very well made and once was loved by the community and the school board. It is in great shape for development, and would be for a very long time I suspect. Do you think a new building would be so well made?

A community association of straw men. I kept hearing about how community groups were consulted and this is what they want. In particular, it was pointed out to me this was the Wever Community Hub – which is responsible for many of the great developments in my area over the last dozen years. The reality is they did not get involved in any direct decision to tear down this heritage building, and partly because they are NOT a community association – they are are service provider. They want more and better facilities and I support this, but they were not “the neighbourhood residents who want this building gone” that I keep being told they are.

Strange. Things are not quite what they seem here and I hope, dear reader, you are coming to the same conclusion at this point. But I’m not done yet – I was very curious as to who exactly is this “local community group” that was consulted (BTW, I must point out that even if there was such a group then the fact the building has not been for sale for over 10 years and therefore no options were presented or opinions solicited during that unreasonably long period renders this fundamentally problematic).

The short answer is there is no real community association group in my area. The only semblance of this is, as I’ve been told, is a informal group that meets infrequently called the “Gibson-Landsdowne Association”. I cannot find any information about them, nor has my public call for contact with these people resulted in any leads. Imagine being a resident here who was not working in such a sustained and public manner as I am trying to find this information.

So, in conclusion and in so far as my perspective and personal opinion on this situation goes: The reasons and consensus for demolishing Sanford School are shadows, paper ghosts, good intentioned efforts that have been co-opted by agendas and forces operating outside of meaningful community concerns. As a resident in Barton Village in ward 3 I have no community association to represent my concerns, as I don’t have a Councillor or trustee who live in the ward and I don’t have a BIA led by someone who lives in my ward either. This is why my area is vulnerable to slum lords and bad decisions – those who make the bed here don’t have to sleep in it.

[Podcast #5 / Interview] I talk with HWDSB Trustee Tim Simmons about Sanford Avenue School

This is a phone interview with Hamilton, Ontario’s school board chair and my local Trustee Tim Simmons, who was gracious enough to give his full attention to a blogger wearing a citizen journalist hat. I was impressed with his willingness to confront the issues and to attend the community meeting next week.

Podcast #5 is available here and on iTunes. This episode is 31 min 45s.

I voice concerns and ask Mr.Simmons questions about the decisions and process that has led to the likely imminent demolition of Sanford Avenue School – a beautiful 1932 historic building in my neighbourhood. Apologies for the poor quality of the phone recording – we do the best we can with what we have. There is nothing scandalous here, but lots of revealing insight into the process and even a sense of hope and common ground, I believe.

Buildings like these are an artist live / work loft dream come true, and many other people find this structure equally as appealing for many other uses – including developers who have not had a chance to propose a plan to save the building and incorporate local community goals.

You can find out more about the state of crisis of this structure on my original blog post here.

If you are reading this before Dec 4th, 2012 and you live in Hamilton, particularly Ward 3, then please consider attending the Wever Hub special community meeting that day at 6pm at Cathy Wever School to voice your opinion. It’s important, especially for future generations in the community.

[video / opinion / photos] Historic #hamont school to be demolished – an artist & feminist rant against it.

Sanford Avenue School c 1932 in Hamilton Ontario

Sanford Avenue School c 1932 in Hamilton Ontario

We were feeling helpless and exasperated at news that the local school board had slipped through a demolition order request to level a heritage building – and this gets processed within 10 days! Apparently the obliteration can begin in January, 2013.

Ward 3′s Wever Hub community meeting called for Tuesday, 6m at Cathy Wever School! Chance to clarify, discuss Sanford Avenue School and show Tim Simmons and Bernie Morelli how the Ward 3 neighbourhood really feels. Please attend!

Please, especially Ward 3 residents, contact Tim Simmons, HWDSB Chair at 905-308-6832 to voice your concerns. Please do it now!

There is no or little chance of fighting it this at this point. But what we can do is document the moment by complaining on a cold, overcast and very windy day as we walk around the school. We can let everyone know, especially future generations, what happened here and who was involved in these decisions. We can present more viable options to demolishing heritage buildings – such as a senior home, artist live-work spaces or even condos. We also talked about related issues such as bicycle infrastructure and the onus of meaningful community consultation on our elected officials.