April 12th- May 6th
173 James Street North, Hamilton, Ontario
Opening reception Friday, April 12th 7-9pm
Displaced Landscapes: Uranus of Hamilton| Christopher Healey
Please join me during Art Crawl night on James Street North for my new show of photo based prints based on local skyscapes. These are selected works from my Hamilton series focusing on industrial emissions in the city – but pretends what we are seeing is actually Greek Mythology. Below is part of the exhibit statement: ~ Chris
“According to the poet Alcman, Aether was the father of Ouranos, the god of the sky. While Aether was the personification of the upper air, Ouranos was literally the sky itself, composed of a solid dome of brass.”
“After Cronus was born, Gaia and Uranus decreed no more Titans were to be born. They were followed by the one-eyed Cyclopes and the Hecatonchires or Hundred-Handed Ones, who were both thrown into Tartarus by Uranus. This made Gaia furious. Cronus (“the wily, youngest and most terrible of Gaia’s children”), was convinced by Gaia to castrate his father. He did this, and became the ruler of the Titans with his sister-wife Rhea as his consort, and the other Titans became his court.”
As an industrial city and port, Hamilton has a particular relationship with the sky, earth, fire and water. It’s an elemental dynamic that is always at play, and that makes for a sweeping and majestic landscape. This primal yet manufactured visual is reminiscent of Greek mythology, and prompted me to dissociate elements of what I was seeing, and to re-frame them as scenes from classical stories. The hubris, struggle and morality lessons of creation mythology are an apt commentary of a Hamilton in a state of identity crisis: The titans borne of industry and their older world status are being challenged by a younger, cleverer community. It’s a grand philosophical battle that is reflected in the devastated areas of the urban core and in the physical manifestation of our relationship with the sky.
Formally, since moving to Hamilton late in 2010 my process has been greatly influenced by the built heritage, community relationships / history with industry and the perceptions of Hamilton from both inside the community and outside of it. This series of work, outside of my usual practice of drawing and painting, is my first exploration of digital print based media.
Through digital photography and layering techniques, these prints are a perspective of landscape as environment of cloud, air and emissions. A familiar and often documented fixture in the Hamilton community, as well as many other communities, smoke stacks are universally symbolic of industry, environment and politics.
In this series, I am attempting to focus past these common discourses and formally examine the ephemeral and displaced characteristics emissions of steam / vapour / smoke without it’s architectural source or other visual clutter. It can be argued this moment of shape and process is a valid, important and beautiful part of our visual community landscape as any building or geological feature – especially if we remove it entirely of our own bias and associative meanings of it’s practical function and effects.
Can the shapes and movements of emissions transcend preconceived notions of industry and be accepted as a natural part of our immediate environment?
These careful studies ask this absurd question by de-contextualizing the natural and the manufactured as a process of artificially homogenizing multiple images. The result is series of very soft, subtle fields that are both familiar and strange, encouraging study and contemplation.
173 James Street North
Media Contact: Christopher Healey