Low definition & no audio composition of videos and stills of a train in front of the Brick Yards here in Hamilton, Ontario. Some of these are auto-treated by Google+ and this gave me the idea for this experiment. I like it. I think I’ll keep messing around with the multiple split screen work – especially since I _finally_ figured out how to do this in Premiere! I may re-do this one in high def if I get an opportunity to show it somewhere.
Visited the Art Gallery of Hamilton today and it’s always worth it. There’s usually a good selection of text work too, and this time I saw “not wanting to say anything about art”, a multiple plexiglass pane square object with eroded text by John Cage that was very inspiring.
I know that is a confusing description and I wish was allowed to take a photo of it – unfortunately the AGH seems to be one of those places that doesn’t yet put much credence in art bloggers despite my efforts here over the last few years. They don’t send me press releases or media preview invites so I don’t cover their exhibits (yes, I did ask but never heard back. Oh the humiliation).
But it has motivated me to post one of my text works from my new series “_landsc_APE_” – you can see another one here. I have lots of stencils and vinyl lettering and big stack of rag paper waiting to be worked on, and look forward to completing this series (hopefully) after my shoulder surgery. Hope you enjoy.
p.s. Posting about another current event to lead a relevant online audience to your own content is a type of digital marketing called “Newsjacking”. For example, people searching for the “Play” Exhibit at the AGH in Hamilton, Ontario and with an interest in text art might find a link to this post in Google’s organic search results. I’ve newsjacked that large and well funded endeavour to capture some relevant eyeballs. I’ll post a couple of more examples of this SEO method for artists soon.
My Montreal artist friend, Andreanne, told me my recent photo collage artwork gives her a “headache” when she looks at it. She also introduced me to her roommate as a “really good drawer”.
I get the sense she doesn’t prefer most of my work.
That’s ok, because she gave me feedback, and she doesn’t pussyfoot around – that’s all an artist can ask. I also kind of like the idea of my work giving someone a headache. That’s more powerful and tricky to do than perhaps making someone coo with how pretty a work is 😉
I also don’t mind criticism from Andreanne because she shows up to my exhibit anyways – and offers to help with any art installation or performance going on. Again, what more could you ask for?
So I got her help with another “Landscape with X” work – this time at a demolition site of a heritage building in my neighbourhood. I have a series of paintings I finished with the letter “R” repeated in it (sort of a reference for corporate involvement in my subject matter). So I used that in this work with Andreanne holding a piece of paper and I used my pocket projector, on site and at night. I think it turned out really well, and it gives me a little thrill inside that I had an artist who is not crazy about this work participate in helping to create it. Hopefully, someday this will be an interesting footnote in an art history textbook – because when you’ve involved two artists, you’ve doubled your chances of this happening.