This is the second in new series of 11 artist interviews I conducted earlier this year I’ve titled “a new space; artists and social media”. You can learn more about this project at http://artistsandsocialmedia.tumblr.com/
This is the first in new series of 11 artist interviews I conducted earlier this year I’ve titled “a new space; artists and social media”. You can learn more about this project at http://artistsandsocialmedia.tumblr.com/
(there is some sound degradation in parts due to audio feedback. my apologies for this).
Oglander is an emerging artist who recently moved to Brooklyn, New York and in many ways represents the fulfilment of the promise of instant fame and recognition that social media holds for many artists. His project, Craigslist Mirrors (http://craigslistmirrors.com), was started in late 2013 and almost immediately found by renowned art critic Jerry Saltz (https://twitter.com/jerrysaltz) who posted links to it on his Twitter and Facebook accounts.
*update: I’ve added a stand-alone montage version of the work. The instructions below are for viewing each slide individually.
1) Click on the first (top left) thumbnail below to enter fullscreen slideshow mode
2) Scroll (to the right) through the slideshow until you reach the end of the path. Get comfortable: there are 170 slides, including the entry and the eventual destination.
3) You can of course jump in and out anywhere along the path you choose, at any time, but then you might miss the journey inside the experience.
It is important to note that this work is entirely captured, rendered and output through a mobile device and on location during one session.
For me, there are several classical and contemporary themes in the work, such as: the supernatural; a formal approach to landscape; a questioning of political / social issues involving digital topographical mapping; a spiritual journey reflecting on death. There are many other contemplations that are evoked for me when I engage the work, and hopefully there will be for the viewer as well.
I enjoy the compositions of the shadows and the rocks, as well as the idea of a digital shadow cast on real objects through a challenging process of documentation for both the tools and the artist. The stresses of this effort on the image and the human traces archived in the process are a very important part of the production philosophy for me. I welcome comments and questions in the discussion field below where this conversation can continue.
Why exhibit online?
This series works well online I think through the intimacy of scrolling through the series of horizontal based documentation. I enjoy the ideas of creating a work while mobile and exhibiting almost immediately after production, without interference or influence – qualities in art which are actually rare to achieve and I believe warrants further practice.
Though much worthwhile art only works online, this particular show would translate well to a physical exhibition environment and I hope to mount multiple instances of Mountain Path around the world. Please contact me if you are interested in a hosting an edition/ installation of this work.