The future is more of the same.
Absurdity only takes one generation to be normalized.
////R//////////////R////////////////////////R///// These are large scale works derived from a series of studio paintings //////////////////////R//////////////////////////
These paintings, for me, embody industrial repetition through the aid of machines. They are endless mazes, not a labyrinth leading to truth. The sun now never sets on Hardt and Negri’s Empire; sprawl is power and environmental catastrophe is ownership.
This is the fourth in a series of 11 artist interviews I conducted in 2014 titled “a new space; artists and social media”. You can learn more about this academic research project at http://artistsandsocialmedia.tumblr.com/
Lincoln is an experimental artist and educator whom I have been following on Tumblr for about four years. He is a well known artist using social media and his recommendations to me on who else to contact for this project proved invaluable. Lincoln is concerned with how we are dealing with, for the first time in history, such huge influxes of data due to online networks. He describes the information we have now as “atomized” and, as artists, we take this information and combine them in new and meaningful ways. His practice is to incorporate other artist’s blogs, as well as own content, into a series of “blogmix” videos. This process started when he started to sees “likes” as a run-off of content that he did not want to share as he would lose followers through the sheer amount of diversity of this content. He then realized there is many types of liking, and wondered what it would look like if one were to speed scroll through them. Citing the Structural Film movement of the 70s, Lincoln sees film montages as mirroring the moving images one after another we see in our daily lives online.
This is the third in a series of 11 artist interviews I conducted in 2014 titled “a new space; artists and social media”. You can learn more about this academic research project at http://artistsandsocialmedia.tumblr.com/http://www.bradphillips.ca Phillips is a visual artist based in Toronto, Canada. Noted for his presence on social media, Phillips participated in my project due to having “definite” opinions on other artists using social media. His presence is tied to his artistic process of documenting his own life autobiographically and problematizes it by manipulation. He presents an idea, a persona of a male artist that emphasizes the cliches and leaves out the “boring shit”.
This is the second in new series of 11 artist interviews I conducted earlier this year I’ve titled “a new space; artists and social media”. You can learn more about this project at http://artistsandsocialmedia.tumblr.com/
This is the first in new series of 11 artist interviews I conducted earlier this year I’ve titled “a new space; artists and social media”. You can learn more about this project at http://artistsandsocialmedia.tumblr.com/
(there is some sound degradation in parts due to audio feedback. my apologies for this).
Oglander is an emerging artist who recently moved to Brooklyn, New York and in many ways represents the fulfilment of the promise of instant fame and recognition that social media holds for many artists. His project, Craigslist Mirrors (http://craigslistmirrors.com), was started in late 2013 and almost immediately found by renowned art critic Jerry Saltz (https://twitter.com/jerrysaltz) who posted links to it on his Twitter and Facebook accounts.
Low definition & no audio composition of videos and stills of a train in front of the Brick Yards here in Hamilton, Ontario. Some of these are auto-treated by Google+ and this gave me the idea for this experiment. I like it. I think I’ll keep messing around with the multiple split screen work – especially since I _finally_ figured out how to do this in Premiere! I may re-do this one in high def if I get an opportunity to show it somewhere.
I’ve also enjoyed my philosophy class, wherein I’ve learned about thinkers such as Jean Baudrillard – though exploration of his ideas does not necessarily mean I agree with them, but there is something to them when we think about why people think they way they think.
I would love to do an interactive full body work like this. So much fun.
Here’s some bonus screen shots of a sad stapler – my first attempt.