Three works coming up in Dawson City’s (s)hiver

slower2web

Dawson City is a thriving creative community. Writers, artists and performers abound here so it makes sense this hardy and eccentric community is equal to the task in creating a mid-winter contemporary art festival. (s)hiver is now in it’s second year and addresses the long dark of winter nights here through outdoor installations and various performances and exhibitions throughout the city. It’s already garnered international attention.

I’ll be participating with three distinct projects: a 2d work installed out in the middle of the frozen Yukon River, a roving performance and projection (wearable technology) throughout Dawson and a permanent series of text-based augmented reality installations.

If you happen to be in Canada’s far north-west that night, stop by and say hi. (I know that sounds ridiculous)

Love #2, 2012: Painting, interrupted.

I am seeing an orthopedic surgeon later this month about my wonky shoulders. Renovations to our old, crappy house are going very slowly, so as usual my studio is packed with storage. We are living in one room in the main floor. I am also in the thick of an intense but enjoyable graduate program focused on communications, new media and teeming with philosophers both alive and dead. Everyone is smarter and quicker than me. Art is my only hope of surviving this. I always feel like Ethan Hawke in Gattica.

With that being said, my “classical” studio practice is on hold. In the meantime, here is a painting from a unpublished text series in progress. Art Toronto is right around the corner and I am always seeing my art on display by someone else (so to speak) so I figured I better start staking my originality claims while I can.

Love #2

_landsc_APE_: 2012 text work

_landsc_APE #3

_landsc_APE #3 2012, pastel and charcoal on Arches rag paper 30″ x 40″

Visited the Art Gallery of Hamilton today and it’s always worth it.  There’s usually a good selection of text work too, and this time I saw “not wanting to say anything about art”, a multiple plexiglass pane square object with eroded text by John Cage that was very inspiring.

I know that is a confusing description and I wish was allowed to take a photo of it – unfortunately the AGH seems to be one of those places that doesn’t yet put much credence in art bloggers despite my efforts here over the last few years. They don’t send me press releases or media preview invites so I don’t cover their exhibits (yes, I did ask but never heard back. Oh the humiliation).

But it has motivated me to post one of my text works from my new series “_landsc_APE_” – you can see another one here.  I have lots of stencils and vinyl lettering and big stack of rag paper waiting to be worked on, and look forward to completing this series (hopefully) after my shoulder surgery. Hope you enjoy.

p.s. Posting about another current event to lead a relevant online audience to your own content is a type of digital marketing called “Newsjacking”. For example, people searching for the “Play” Exhibit at the AGH in Hamilton, Ontario and with an interest in text art might find a link to this post in Google’s organic search results.  I’ve newsjacked that large and well funded endeavour to capture some relevant eyeballs. I’ll post a couple of more examples of this SEO method for artists soon.

Three Text Paintings from 2005ish

I’ve been doing text in paintings for several years now. It’s changed a lot over that time but I’ve always like the freedom of working in this area between representational and abstract, as many do. It was a chance to slip into formalism and automatic painting without losing the conscious context, the connection of the subject matter. For me, the act and object of the painting is inseperable from the meaning and narrative of the text itself. They are but more personal than Truisms, more stories about me and the painting process. Kinda like tweets as paintings before Twitter existed! Haha.

This series was not exactly well received by all, but maybe those people failed to read between the lines. Those who liked these tended to like them a lot. and when I realized these paintings kept people’s attention at least as long as it took to read them. Hmmm… so I started to make very large, dense text narratives (will post when I find an image) and that challenged some and quickly discouraged others. Ah, I’ve always loved audience analytics…

I’ve got a new series of text paintings (on hold like all my other studio work) that I am really excited about. In the meantime, here’a few of my early favourites of these series. Sorry about the quality of the images, but often for artists poor documentation is all we are left with.

photo-(15) photo-(9) photo-(10)

New work: text back in art

I had made myself promise I would not compose any text based work for a year. I kept falling back into the same work, the same way and it was slow and I was losing the joy.

I cheated a bit, but mostly held true to staying away from using text – and super glad I did. I’m feeling freer with the composition and quicker about it to – funny how feeling uncertain will slow things down so drastically. I am now officially allowed to work back in text as much as I want.

Yep, another series to finish off – this one will be called “AP3”. This will be with a lot of stencils work and on a stack of very nice arche rag paper that I’ve been hoarding for almost 20 years. It’s … relieving to have this kind of clean break from the old text work to this.

pants

oil, vinyl on paper