We had a blast being interviewed by two sailors and an off-stage Giraffe at the 2012 Summerworks Festival Performance Bar the other night, and have been invited back this Saturday for another interview.
I posted about our initial “research project” at the Toronto Fringe Festival, but this time our public education consisted of a live work of art that took shape based on the feed back of audience members.
Here’s how it worked: we asked a random audience member if they have ever seen a volcano, and if so what did it look like and how did they feel about it. If they had not seen a volcano, then what did they imagine a volcano in Toronto looking like? was it active? where was it? After this one or two minute chat, we asked the participant to choose “any area” on the wooden surface that they wanted their own, personal volcano to be and then sign their name on that spot. Based on their answer, placement and signature style I drew a volcano in that spot, on the spot. later, I cleaned up the drawings a bit and assigned civic functions to each one pretending this was a future map of utopian Toronto … based on the industry of Volcanoes and present day conservative values.
As an artist, I was keen to see how the composition worked out with people choosing placements – as I suspected, it turned out very balanced with a cluster weighing on the golden mean. The process reflected a dark and subtle approach of influencing members of the public to participate in an absurd conceptual possibility by signing their names and giving the illusion of some sort of personal choice (though the end result is always the same) – thus we can claim consensus in our efforts to bring a volcano to Toronto. Perhaps darkest of all, I enjoyed the symbolism of eradicating the individual’s name as they watched, usually delighted.
You probably already have a good idea of what this is – it’s where everything else goes. If you have a cottage, or a friend with a cottage you want to torture, then you have a place for the art you don’t want but can’t throw out. Or you do want, because it just works here and no where else in the world. Strange but true. Many times, a cottage art collection is simply seen as having a budget of $0 so stuff to adorn the walls is found as refuse and re-purposed.
YYZ is *always* good – one of my main destinations at 401 Richmond. Also, one of the first galleries in my experience to be totally ok with a blogger posting images from exhibitions.
Did not really work out great but I would like to try more night photography – these photos tell me I would need a much, much nicer camera and a tripod. And something a lot more powerful than my friend Pat’s flashlight.
Still, these are kinda neat reference work. Kinda eerie. It’s not high tech work, though it’s not low tech either …. it’s “inadequate tech” 😉
from the exhibit “how to appropriate real estate from an old lady and develop condominiums for a profit”
reading more about the Harper government … this work seems important right now.